| Steve Dinneen

Tom Ford has been doing interviews recently decrying materialism, which is a bit like Michael Fish a (...Read More)

In the paintings of James Ensor, life is dour and murky but death is a riot of colour and expressive (...Read More)

Ella Hickson’s hugely ambitious new play knits together a sprawling 160 year geo-political soap-op (...Read More)

The Greasy Strangler is gross, but also kind of compelling, like picking a giant scab and rummaging (...Read More)

Immersive theatre often promises more than it can deliver, held back not by the imagination of the p (...Read More)

You’re greeted at the entrance of the Barbican’s Curve gallery with a polite warning: “If you (...Read More)

Floyd Collins is a musical about a man stuck in a hole, and there were moments during this productio (...Read More)

This spiritual successor to 28 Days Later is an excellent example of pared-back British horror film- (...Read More)

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STEVE DINNEEN