Films | September 21, 2018
Review: Climax
Climax is deeply unpleasant, super-stylish and horribly compelling, which is little surprise given i (...Read More)
Climax is deeply unpleasant, super-stylish and horribly compelling, which is little surprise given i (...Read More)
Two years in early access saw We Happy Few transform from a procedurally generated survival sim to a (...Read More)
The last play I saw Lucy Morrison direct was Plaques & Tangles, a crushing tale about three gene (...Read More)
The Clock is a bizarre, brilliant piece of video art that’s already travelled from London to N (...Read More)
Dance Nation, which transfers to the Almeida after a well-received run in New York, is a tween dance (...Read More)
Chekhov’s most famous play is such a masterful assassination of the human condition that it isn’ (...Read More)
Last month I wrote about how Covent Garden is changing from a bunch of fancy shops to an all-singin (...Read More)
Spike Lee’s BlacKkKlansman is ostensibly about the real life story of a black cop in the 1970s who (...Read More)