Culture | May 16, 2019
Review: Death of a Salesman
Such is the power of the racial divide in America that simply casting a black family at the heart of (...Read More)
Such is the power of the racial divide in America that simply casting a black family at the heart of (...Read More)
“Everything that is beautiful is also tainted, and whatever’s horrible also has its bright side. (...Read More)
After last year’s superlative Summer and Smoke, the pairing of director Rebecca Frecknall and youn (...Read More)
It’s been a hell of a year for Harold Pinter fans. Over seven productions, director Jamie Lloyd re (...Read More)
Alys, Always is an unabashed crowd-pleaser, a gripping, pulpy thriller in the mould of Gone Girl or (...Read More)
Walking through the Tate Modern’s latest show is like revisiting a barely remembered dream: famil (...Read More)
I left the Tate Modern’s Franz West exhibition with a strong desire to get extremely drunk with th (...Read More)
You wait months for a fractured, meandering, three hour play about politics and then two come along (...Read More)