Culture | October 12, 2012
Review: Enquirer
At risk of coming across as incredibly self-indulgent, I feel like I’m in a pretty good positi (...Read More)
At risk of coming across as incredibly self-indulgent, I feel like I’m in a pretty good positi (...Read More)
The Scream is one of those paintings that is crushed by the weight of its own success. Tattered vers (...Read More)
The Royal Shakespeare Company’s adaptation of The Comedy of Errors at Camden’s Roundhouse (...Read More)
The Tempest is one third of a loose “shipwreck trilogy” by the RSC at Camden’s Roundhouse – (...Read More)
Christopher Eccleston is theatre gold – the kind of name guaranteed to sell out a run – and he (...Read More)
Bauhaus is usually associated with its enduring legacy of angular modernist buildings and distinctiv (...Read More)
The Lyttelton theatre is a big space for one man to fill but Cillian Murphy could have filled it thr (...Read More)
The killer killed. The inevitability and unfathomability of death. Death, death, death. Spot, spot, (...Read More)