Culture | August 3, 2018
Review: £¥€$
Sitting through a play called Lies (or £¥€$, if the Anglicised version isn’t on-the-nose enoug (...Read More)
Sitting through a play called Lies (or £¥€$, if the Anglicised version isn’t on-the-nose enoug (...Read More)
Last year was a difficult time for the National’s Olivier theatre, with a run of lacklustre produc (...Read More)
To a generation, Sam Mendes is synonymous with Oscar-winning Hollywood films, from the introspective (...Read More)
The last decade has been kind to musical theatre. Once dominated by Andrew Lloyd Webber numbers desi (...Read More)
Machinal opens in a loud and lairy 1920s office. Overlapping conversations about sex and romance are (...Read More)
British-born artist Thomas Cole is the man who made American landscape painting cool again. His mid- (...Read More)
Lee Bul’s Crashing is a nightmarish vision of the future, a world in which technology intertwines (...Read More)
Photo London at Somerset House brings together artists, galleries, auction houses and museums from a (...Read More)